Kasper Toeplitz composition, Barbara Dang Expressive-E Osmose, Peter Orins, electronic drums, Christian Pruvost trumpet
Océan-Mémoire is a musical work exploring microtonality and a non-octave-based structure. Using extremely fine intervals, in 1/24 of a tone, it creates a dense and nuanced soundscape. Performed by an amplified quartet and enriched with electronic processing, the piece also includes a real-time virtual component, adding to this infinite sea of sound.
Emmanuel Lalande concept, Sophie Agnel, Barbara Dang, Félicie Bazelaire, Betty Hovette, Nicolas Lelièvre, Arnaud Le Mindu pianists
A proposition by Emmanuel Lalande for 6 pianists, 6 pianos, 1,400 strings, 1 tuner, and 1 theater stage. A daring attempt to transform the king of chromatic instruments into a cacophonous machine. For this occasion, the pianos will be tuned in such a way that no string is tuned the same. When all pianos are played together, the sound should resemble white noise or something close to it.
Barbara Dang upright piano, Melaine Dalibert upright piano, Lou Renaud-Bailly trimba, percussion, Bertrand Belin vocals, G.W. Sok vocals, Borja Flames vocals, John Greaves vocals, David Sztanke vocals, Olivier Mellano artistic direction, Louis ‘Moondog’ Hardin composition
Under the artistic direction of Olivier Mellano, Looking For H'Art Songs brings together musicians and voices with varying sensibilities, exploring the work of Louis 'Moondog' Hardin and the vocal pieces collected in the 1978 album H’art Songs.
Christian Pruvost Composition, artistic direction - Trumpet, electronics, Sakina Abdou Saxophones, flutes, Sébastien Beaumont Guitar, Ivann Cruz Guitar, Barbara Dang Keyboards, Xuan Mai Dang Vocals, flutes, electronics, Maryline Pruvost Vocals, flutes, Peter Orins Drums, electronics, Alex Noclain Sound projection, Claire Lorthioir Lighting design
As composer-in-residence at Vivat from 2020-22, trumpet player Christian Pruvost created Flumunda, a piece for eight musicians and tape, inspired by sounds recorded during his explorations of the region. Flumunda evokes the river Lys, its changing nature and many faces. In eight movements, the work blends minimalist and tribal music, microtonality, poetic texts by Thomas Suel, and electroacoustic soundscapes, addressing themes such as pollution and our connection to nature.
Denis Chouillet, Melaine Dalibert, Barbara Dang, Célimène Daudet pianos
Four pianist paint four sonic landscapes evocative of vast wild spaces. Harmonic canyons, echoes of plains, and other landscapes dotted with solitary refrains unfold in a concert that features the works of Peter Garland, Harold Budd, Morton Feldman, and Melaine Dalibert.
Renaud Cojo Director, Annabelle Chambon Dancers, choreographers, Cédric Charron Dancers, choreographers, Antoine Esmérian-Lesimple Actor, David Chiesa Musicians (electric bass), Blanche Lafuente Musicians (drums), Barbara Dang Musicians (keyboard), Timothée Quost Musicians (trumpet), Mathieu Werchowski Musicians (violin), Eric Blosse Scenography, Florent Blanchon Lighting, Laurent Rojol Video Images, Pierre-Olivier Boulant Sound and Technical Direction
P.U.N.K (People Under No King) is a project combining writing, performance, punk music, and improvisation. It aims to restore a rebellious dimension to punk by merging it with improvisation, two instinctive forces freed from the rules of composition. Created by Renaud Cojo, this project brings together Ensemble Un (David Chiesa) and performers Annabelle Chambon and Cédric Charron, seeking to rediscover the frenzy and anger in the dynamic, raw music of punk.
Halory Goerger concept, text, scenography, Antoine Cegarra performance & artistic collaboration alternating with Joël Maillard / Juliette Chaigneau / Barbara Đăng / Halory Goerger, Germain Wasilewski general stage direction and construction, Antoine Villeret sound and development, Annie Leuridan lighting design, Aurélie Noble costumes, Antoine Proux / Vincent Combaut / Christophe Gregorio construction.
It’s a text about stasis and metastasis.
It’s a piece about the role of music in our lives.
It’s an installation about spaces and hyperspaces.
It’s a story unfolding in the mind of someone who is both very ill and very well at the same time.
1986: American composer Morton Feldman is on his deathbed. A singular therapist, coming to assist in his end-of-life, takes an astral journey inside his unconscious. He gets lost and finds both madness and comfort. Two colleagues try to join him. Together, they struggle with whatever they have at hand and make music in a hostile environment. What happens in a brain that malfunctions, and in which you haven’t been invited?
Barbara Dang keyboards, synthesizer, Philippe Delgrande electric guitar, bass guitar, Frederic L'Homme electronic drums
80's cover trio, Fluo Sauvage offers up to 4 hours of live performance that sets the dance floor on fire with the greatest hits from the 80s (A-ha, Daniel Balavoine, David Bowie, Étienne Daho, Depeche Mode, George Michael, Marc Lavoine, Madonna, Julie Piétri, Lionel Richie, Technotronic, and many more...